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The Black Prince Iris Murdoch 9780140039344 Books

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The Black Prince Iris Murdoch 9780140039344 Books

This is a thoughtful, difficult novel that explores the ambiguities of human character and the complex relationship between art and passion. Dame Iris Murdoch (1919 --1999) was both a philosopher and a prolific novelist. She wrote "The Black Prince" in 1973. A subsequent novel, "The Sea, The Sea" received the Booker Prize.

The book revolves around several complex characters. The hero is an author, and retired tax inspector, Bradley Pearson, age 58 at the time most of the action of the book takes place. He has published only sparingly but prides himself as a serious author. Most of the story is told by Bradley.

Bradley has long been divorced, but his ex-wife Christian is a major character in the book, as she reenters Bradley's life after the death of her second husband. Christian's brother, Francis Marloe, is a failed physician who offers advice and assistance, of a mixed quality, to Bradley during the story. Bradley is a long-term friend of the Baffin family, which includes Arnold, a highly successful writer of fiction, his wife Rachael, and their 20-year old daughter Julian. The story revolves around the 58-year old Bradley's love and passion for the 20-year old Julian. As the story unfolds Bradley's sister, Pricilla, is leaving her husband and comes to Bradley for emotional support and assistance. Bradley is put to the test about how he will respond to his sister.

The other major character in Murdoch's novel is an editor, "P.A. Loxias', who becomes Bradley's friend and the editor of Bradley's manuscript that Bradley wrote recounting his love affair with young Julian. The manuscript forms the body of the book. Bradley wrote the book after the fact, while in prison for a crime he did not commit. Loxias both introduces and closes the book, while Christian, Rachael, and Julian get brief opportunities to write for themselves and to comment upon Bradley's manuscript. This "Penguin Classics" reprint of the book also includes an introduction by the noted philosopher Martha Nussbaum which is unusually detailed and, perhaps, could be read as yet another editorial comment on Bradley's story that might well have been part of Murdoch's text.

The story is full of ambiguity, vacillation in its characters, and violence and thus is almost a retelling of Hamlet -- Shakespeare's play that figures prominently in this book. Another main influence on the book is Plato, particularly his great dialogue "Phaedrus" which explores the relationship between art, erotic love, and rhetoric, as this novel does as well. It is always good to be reminded of and to think about Plato. A third, less obvious influence, I think is Buddhism. The influence of Buddhist thought on Murdoch is explicit in her novel "The Sea, The Sea" but it is here as well. The book can almost be read as an illustration of the three basic traits of existence as developed in Buddhist thought: suffering (dukka), change, and egolessness. Bradley and the other characters struggle to see the world and other people clearly but are prevented from doing so by their own passions and self-concepts.

Bradley achieves a Buddhist-like detachment near the end as he reflects upon his experiences.

In reading the book, I found it helpful to distinguish clearly between the body of the story that Bradley recounts and the time that he wrote it, some years afterwards, while left alone with himself to reflect. Bradley was swept with passion for a relationship that could not have lasted, that he did not fully understand, and that lead to tragedy for many people. Yet this passion helped him, in the final analysis, attain a degree of peace and understanding. He was able to tell the truth in writing his story and to present himself, terrible warts and all. Love lead to great human sorrow for Bradly, but it also lead to his ability to present his experience in the form of art and to reflect upon it dispassionately.

Portions of this book are rather wordy and inner directed. It needs to be read carefully. But I found it an inspiring treatment of the nature of human erotic passion and its force for life. The book will appeal to readers willing to reflect and to explore themselves.


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The Black Prince Iris Murdoch 9780140039344 Books Reviews

Underwhelming.
Murdoch isn't for everyone, like V. Woolf, you need quiet time. However, Murdoch is a masterful storyteller.
There is not one boring page in this book. I would recommend it to anyone who loves a book that's a great narrative, but also has wonderful insights that could be said of anyone or anything. Pay attention to the structure, and read the preface and afterwords (THE BOOK DOES NOT END ON THE LAST PAGE, BUT AFTER THE AFTERWORD)
It's disgraceful that is charging money for such a badly edited version. Hyphenated words had en dashes instead of the hyphen, which really breaks up the sentence and ruins the reading experience. Other slip-ups are misspellings and numbers in place of letters; and this happened frequently. Nobody has checked the book for these problems after it was 'read' by a digital device. I enjoyed the book tremendously, but should be ashamed of themselves.
A delightful novel for Murdoch fans. However, this edition appears to be an offset of an offset of an offset, so that the text is swollen to the point that it's difficult to read. I suggest getting a copy of a previous edition, even if it's used.
The introduction could scare away some timid readers but the book is a joy to read. The characters are surprising and entertaining and there is a lot of "dark" humor in the book. What a pleasure to read something so well written. Reading this book caused me to buy her Booker Prize winner which is one of my next to read.
A pedantic, masochistic, high-minded, fifty-eight-year-old autodidact living in central London in the late-twentieth century with exalted ideas about ethics, eros, suffering and his artistic destiny, falls in love with the twenty-year-old daughter of close friends whose marriage is falling apart. The protagonist loves Hamlet, quotes Plato and Dante, and gets done in by cleverer, more worldly people in his social set who assume that he loves them whereas he, with a sense of superiority, believes they are deluded. With philosophizing, psychologizing, humor, irony, and multiple perspectives conveyed via an introduction, letters and postscripts, this rueful story characterizes in depth several late-twentieth-century English people and their muddles. The delusional power of egotism, three failed marriages, social obligations and nuisances, aging, emotional neediness, unwanted seduction, and smart people working at cross-purposes inform this purgatorial novel.
This is a classic work, dealing with the meaning of life, of personal relationships, the inability of an individual to understand his life or his connection to others, and the fundamental dishonesty with which people make their way in the world. Murdoch writes beautifully, evoking the eternal verities, even as she populates her book with self-seeking ninnies. Bradley Pearson tells the story, and the story is about himself neurotic, puritan, naive, and weak. He is so convincingly tiresome that the book begins to flag toward the end of Part Two. That itself may have been one of the many strokes of brilliance Murdoch has in store. A strange, powerful read.
This is a thoughtful, difficult novel that explores the ambiguities of human character and the complex relationship between art and passion. Dame Iris Murdoch (1919 --1999) was both a philosopher and a prolific novelist. She wrote "The Black Prince" in 1973. A subsequent novel, "The Sea, The Sea" received the Booker Prize.

The book revolves around several complex characters. The hero is an author, and retired tax inspector, Bradley Pearson, age 58 at the time most of the action of the book takes place. He has published only sparingly but prides himself as a serious author. Most of the story is told by Bradley.

Bradley has long been divorced, but his ex-wife Christian is a major character in the book, as she reenters Bradley's life after the death of her second husband. Christian's brother, Francis Marloe, is a failed physician who offers advice and assistance, of a mixed quality, to Bradley during the story. Bradley is a long-term friend of the Baffin family, which includes Arnold, a highly successful writer of fiction, his wife Rachael, and their 20-year old daughter Julian. The story revolves around the 58-year old Bradley's love and passion for the 20-year old Julian. As the story unfolds Bradley's sister, Pricilla, is leaving her husband and comes to Bradley for emotional support and assistance. Bradley is put to the test about how he will respond to his sister.

The other major character in Murdoch's novel is an editor, "P.A. Loxias', who becomes Bradley's friend and the editor of Bradley's manuscript that Bradley wrote recounting his love affair with young Julian. The manuscript forms the body of the book. Bradley wrote the book after the fact, while in prison for a crime he did not commit. Loxias both introduces and closes the book, while Christian, Rachael, and Julian get brief opportunities to write for themselves and to comment upon Bradley's manuscript. This "Penguin Classics" reprint of the book also includes an introduction by the noted philosopher Martha Nussbaum which is unusually detailed and, perhaps, could be read as yet another editorial comment on Bradley's story that might well have been part of Murdoch's text.

The story is full of ambiguity, vacillation in its characters, and violence and thus is almost a retelling of Hamlet -- Shakespeare's play that figures prominently in this book. Another main influence on the book is Plato, particularly his great dialogue "Phaedrus" which explores the relationship between art, erotic love, and rhetoric, as this novel does as well. It is always good to be reminded of and to think about Plato. A third, less obvious influence, I think is Buddhism. The influence of Buddhist thought on Murdoch is explicit in her novel "The Sea, The Sea" but it is here as well. The book can almost be read as an illustration of the three basic traits of existence as developed in Buddhist thought suffering (dukka), change, and egolessness. Bradley and the other characters struggle to see the world and other people clearly but are prevented from doing so by their own passions and self-concepts.

Bradley achieves a Buddhist-like detachment near the end as he reflects upon his experiences.

In reading the book, I found it helpful to distinguish clearly between the body of the story that Bradley recounts and the time that he wrote it, some years afterwards, while left alone with himself to reflect. Bradley was swept with passion for a relationship that could not have lasted, that he did not fully understand, and that lead to tragedy for many people. Yet this passion helped him, in the final analysis, attain a degree of peace and understanding. He was able to tell the truth in writing his story and to present himself, terrible warts and all. Love lead to great human sorrow for Bradly, but it also lead to his ability to present his experience in the form of art and to reflect upon it dispassionately.

Portions of this book are rather wordy and inner directed. It needs to be read carefully. But I found it an inspiring treatment of the nature of human erotic passion and its force for life. The book will appeal to readers willing to reflect and to explore themselves.